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🔥 Actors Vote on the 100 Greatest Movies of All Time


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When I was asked to put together a ranked list of the best horror movies of all time, I thought it would be a fun project. And then I collated about 150 titles, tried to whittle that list down.

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best movies of all time money When I was asked to put together a ranked list of the best horror movies of all time, I thought it would be a fun project.
And then I collated about 150 titles, tried to whittle that list down, and nearly went insane at least three times.
Then I had a few anxiety attacks after realizing how many people would call me a moron for leaving their favorite horror film off the list, passed out for two days, woke up, and finished writing.
After an initial effort which put in mega bonus all total at 50 movies, I'm bumping the number up to 75 total.
Please don't pay excessive attention to the actual "rankings.
And we'll probably be back next Halloween season to update the list to an even 100!
The suggestion box is open!
Friday the 13th 1980 I wanted to include this one in the first update of this article the top 50but I just couldn't justify bumping another better horror movie.
Nostalgia is great and all, but there's no way Friday the 13th is "better" than, say, Videodrome.
Plus I actually like Friday the 13th Part 2 a little more.
Regardless, this slasher classic itself little more than a ripoff of Halloween is still supremely creepy, provided you've ever spent time at overnight camp in New Jersey.
The shocking moments of gore, courtesy of Tom Savini, also hold up, although they don't seem quite so gruesome anymore, relatively speaking.
Saw 2004 Scoff if you like I can't hear youbut I consider this one a low-budget masterpiece, one that not only kick-started a ridiculously popular franchise, but still stands as a master class on how to wring a whole lot of scary fun out of very few resources.
Much like Sam Raimi did with The Evil Dead, James Wan and threw everything they had financial and otherwise into a creepy horror concept that they knew would work -- and boy did it.
Love the Saw series or hate it, there's no denying that it's a great lesson for aspiring filmmakers.
The Orphanage 2007 Long before he graduated to Jurassic Park sequels, Spanish director Juan Antonio Bayona made a big splash with his directorial debut, a wonderfully classy, refined, and straight-up terrifying tale of a haunted, abandoned orphanage.
What starts out as a very laid-back 1970s-style occult thriller slowly evolves into a legitimate horror story, thanks mainly to somewhat excellent actors -- but also because of some sudden, shocking jolts you simply won't see coming.
Not only is the flick frequently funny and horror-nerd-friendly, but it also delivers several amusing performances and some of the coolest zombie get-ups you'll ever see.
The Witch 2015 One of those endlessly controversial "arthouse horror" flicks that genre fans love to argue about, I am on team "YES" when it comes to this fascinating and unique period piece.
It's about an ostracized family that slowly comes to realize something very dark and dangerous is waiting just outside their door.
Is it an actual witch, or is it a clever metaphor for intolerance, alienation, and class struggle?
I say it's both, and it's beautiful.
Frankly, I wish director Robert Eggers would unleash a sequel or two.
The Babadook 2014 There are lots of horror films that deal with children, either as aggressors or as potential victims, but very few have been able to capture both of those ideas simultaneously as well as Jennifer Kent's endlessly fascinating The Babadook.
On the surface, it's the story of a book that certainly seems to be possessed by the soul of a horrible creature, but it's also about the bond between mother and child, the fear of losing your grip on reality, and the deep instinct to protect your family at any cost.
Plus, yes, the titular creature is darkly wonderful, as is the creepy storybook in which he resides.
Carrie 1976 Brian De Palma's adaptation of Stephen King's debut novel cemented both men as forces to be reckoned within the department of scary stories, but it's the lead performance by Sissy Spacek -- and the monumental one from Piper Laurie as Carrie's mother!
If best movies of all time money seen one horror film in which an awkward outcast takes revenge against their tormentors in brutal and horrific fashion, then you've seen the powerful influence that Carrie left on the horror genre.
The Innocents 1961 and The Others 2001 It's sort of a cheat to include double features in lists like this one, but sometimes while trying to find a spot for a particular chiller, you nail a perfect pairing.
The Innocents is about a haunted house that just might not be haunted at all, whereas The Others is about a haunted house that's haunted by, well, I'm not going to spoil it.
Both films milk the creaky, old haunted house motif wonderfully well; both are laden with strong performances; and both manage to hit a wonderfully satisfying, bittersweet tone that's the hallmark of great Gothic fiction.
Martyrs 2008 You know how sometimes you have to build yourself up to try something scary like a roller coaster or a ridiculously spicy food?
You'd start with a smaller carnival ride or mildly spicy sauce in order to prepare yourself for the really rough stuff.
That's how one should approach this ferocious, thoroughly unpredictable, and borderline brilliant deconstruction of horror, torture, and violence: with caution.
On its surface it's sort of a "home invasion" thriller, but the deeper you dig into this rabbit hole the freakier and more horrific the discoveries become.
Don't say you haven't been warned.
Candyman 1992 When it comes to Clive Barker movies, most people generally talk about Hellraiser.
Oooh, or Midnight Meat Train.
If you want a "fun" horror film, look elsewhere.
This one deals with racism, slavery, and oppression in a way that's bold and unique.
Frankenstein 1931 James Whale's tragic adaptation of the celebrated Mary Shelley novel was the gold standard for decades -- even if it did generate a sequel learn more here turned out superior in nearly every regard -- and it's not hard to see why.
The production design alone is the stuff of a mad nightmare, Boris Karloff provides an unlikely soul to the creature stitched together with spare parts, and the film is laden with iconic moments that still manage to pack a wallop nearly 90 years later.
Possession 1981 Sam Neill and Isabelle Adjani star as a married couple whose relationship is clearly falling apart.
Sounds pretty simple, right?
This visceral gut-punch of a horror film pulled itself from obscurity to become an unlikely cult classic to horror fans over the world.
It's worth seeing for the stunning lead performances alone, but it's also a horrific and fascinating metaphor for the ugly dissolution of a previously loving relationship.
Yeah, it's pretty heavy.
Dead of Night 1945 You won't find all that many British horror films from this particular era, but there's no denying that this Ealing Studios classic is one of the most beloved not to mention influential anthology horror films ever made.
Although probably best known for its truly creepy story involving a freaky doll much like 1977's Trilogy of Terror!
The Cabin in the Woods 2012 Much like Scream, this one plays more as a knowing parody of horror films -- but it's still packed to the rafters with jolts, kills, monsters, and full-bore horror insanity.
If you've seen at least one horror flick in which a bunch of broad archetypes discover a secret horror while visiting an isolated cabin, you will almost certainly have a ball while this maniacal carnival ride of a movie unspools.
Also like Scream, this movie makes one point crystal clear: If you're going to poke fun at something, make sure it's something you actually like.
Don't Look Now 1973 This dry British indie starts out like a melodrama -- Donald Sutherland and Julie Christie are trying to heal following the accidental death of their child -- but gradually transforms into a paranoia thriller that delves into the occult, the church, mental instability, and of course the ever-lingering specter of guilt.
It's most assuredly an "arthouse horror" film, but it's one that's masterfully crafted and darkly memorable.
The Silence of the Lambs 1991 Some will argue that this is not a horror film.
I would argue that it most certainly is, at least in part, and that part is straight-up terrifying.
This flick swept the top click here Oscars!
It Follows 2015 My affection for this freaky, little mindfuck of a horror movie is well-documented check out the DVD commentary!
This flick seems to be a "love it or hate it" sort of movie, which I appreciate.
Please place me firmly in the "love it" aisle.
Oh, and that score!
I may play this one on Halloween night.
Creepshow 1982 Horror anthologies may not be a huge box office draw historically speaking, but the really good ones manage to maintain a strong shelf life, and that's certainly the all bonuses in ssbm with this colorful collaboration between horror juggernauts Stephen King and George Romero.
Every horror fan has their favorite segment -- I love "The Crate!!
The horror genre has plenty sub-divisions, and as far as old-school comic book-style "fun" horror goes, Creepshow is a masterpiece.
Plus, it's so much fun to play the "omg it's.
I'll start you off with Ed Harris!
The Descent 2005 We've all seen monster movies before, but when one comes along that messes with the formula and finds a way to make even the simplest of premises seem fresh, that's a horror film worthy of note.
Director Neil Marshall drops five female friends into an uncharted cave and forces them to contend with not only feral humanoid monsters, but also horrific injuries, rampant claustrophobia, and the bitter sting of betrayal.
The result is one of the most intense creature features of the 2000s.
Carnival of Souls 1962 This low-budget black-and-white indie didn't make much noise when it was released onto the drive-in circuit in the early 1960s, but it's gone on to become one of the most celebrated horror films of the decade.
It's a hallucinatory tale of a young woman who believes she's being stalked by a mysterious man -- or maybe she's simply losing her mind.
Stick with it through the dry spots because act three is straight-up terrifying, provided you've been paying attention and have all the lights off.
Get Out 2017 There's a tendency to let great horror movies percolate for a few years before putting them on any sort of "all-time greatest" lists, but, oh well, Get Out is just that good.
After all, how many horror films can you name that won Best Original Screenplay?
Astute horror fans will notice all sorts of DNA floating through this tale of abduction and alienation most notably The Stepford Wivesbut first-time feature director Jordan Peele brings more than enough originality to the party -- partially because he's not afraid to bring up difficult questions related to racial inequality, but he's also damn insistent on delivering a smart, strange, unpredictable thriller that doesn't skimp on what horror fans want.
Phantasm 1978 Don Coscarelli's cult classic starts out like a relatively normal horror story about a kid who suspects that strange things are afoot at the local mortuary -- and it promptly evolves into a super-bizarre compendium of "nightmare logic" horror sequences that just keep getting weirder.
None of the sequels were able to replicate the wonderfully unique vibe of the original film, and it's a willfully weird horror classic that works especially well upon repeat viewings.
Especially if you have friends and a mind-altering substance of some kind nearby.
Hellraiser 1985 True, the 1980s were sometimes infamous for producing some really lame horror flicks, but there's lots of fantastic buried treasure to be found in this decade, and Clive Barker's directorial debut is most assuredly one piece of that treasure.
Arguably one of the most gruesome stories ever told about lust and adultery, Hellraiser is also infamous for being the big-screen debut of "Pinhead," an ominous torture demon who turned out to be one of the most unlikely horror icons you could imagine.
Bolstered by a freaky tone, numerous nasty dispatches, and a whole bunch of freaky mayhem, Hellraiser is far and away the class of the entire endless franchise.
Scream 1996 It's safe to say that the horror genre needed a real shot in the arm by the time the mid-'90s rolled around.
How many horror sequels can you go see, after all?
Veteran scare lord Wes Craven had already reinvented the slasher film years earlier with the brilliant A Nightmare on Elm Street, and now he'd all but destroy the sub-genre with a knowing, winking, and consistently clever horror comedy smash entitled Scream.
Not only is the film legitimately scary, but it's also unexpectedly funny, and of course it's a massive treat for anyone who has seen enough slasher flicks to know the "unwritten rules" by heart.
Dracula 1931 and Horror of Dracula 1958 Forgive me for all way through bonus again, but they both deserve inclusion, plus they actually make for a fantastic double feature of the two finest Dracula movies ever made.
Based on the immortal novel by Bram Stoker, the 1931 adaptation features Bela Lugosi as the titular bloodsucker, and while Dracula is a bit starchy to modern eyes -- as any film made in the early '30s would be -- it still holds up as a monumentally creepy piece of classic Universal horror.
It was probably the finest rendition of Dracula until 1958, because that's when the brilliant British horror nuts at Hammer cast the amazing Christopher Lee in the title role.
Known as Horror of Dracula here in the U.
Ravenous 1999 The audacious and twisted flick combines horror, Westerns, and action into some sort of willfully bizarre and bizarrely enjoyable genre concoction.
You've never seen a movie quite like it.
Guy Pearce plays a disgraced soldier who has been remanded to an isolated outpost, only to discover that there's some amount of cannibalism afoot at Fort Spencer -- and that's not even the worst of it.
Suffice to say that this movie isn't exactly for all tastes.
As a teenager I was highly amused by the decidedly nastier remake.
And now as a crabby adult I'm wondering when the next rendition will ooze into view.
There's not a whole lot to the tale of a giant glob of goo that lands in a small town and begins devouring everyone, but there's something so damn fascinating about the monster itself that it kinda begs for yet another remake.
Black Christmas 1974 The origins of the "slasher flick" can be traced back to Italy, but it was this Canadian import that helped the sub-genre find its footing in North America.
Four years before Michael Myers began his Halloween night rampage, this holiday-themed tale of a stalker roaming a sorority house struck a solid chord with the midnight movie crowd -- and it still holds up surprisingly well today.
One cannot say the same for the 2006 remake.
House of Wax 1953 No list of horror classics would be complete without something from Vincent Price, and this twisted 1953 chiller about a psycho who hides his murderous habits inside of life-sized human figures is one of his most enjoyably creepy.
Not only did this one give me countless nightmares as a kid but it features an enjoyably freaky finale.
Plus the remake isn't half bad.
Wait Until Dark 1967 A young blind woman Audrey Hepburn is terrorized by three rather distinctly nefarious criminals who believe she knows where a valuable drug stash is hidden.
Sounds like a pretty simple premise, but this late-'60s thriller nailed the "home invasion" premise decades before it became so popular, thanks in large part to director From Russia With Love director Terence Young, Ms.
Hepburn's excellent performance, and villains like Richard Crenna and a young, freaky Alan Arkin.
Frailty 2001 The movie world lost a true great when Bill Paxton suddenly passed away in early 2017, and while he'll be remembered as a legend among character actors, he also directed and stars in this this dark, fascinating, and wonderfully twisted occult thriller.
The surface plot is about two young boys, one murderous father, and a countless number of "demons" who look just like humans.
Beyond the twists and scares, however, Frailty also boasts a remarkable screenplay that works on a variety of Twilight Zone-y levels.
Don't show it to your super-religious relatives.
Asylum 1972 Hammer, the 83-year-old genre-driven production company, gets most of the love when it comes to British horror cinema of years past, though Amicus Productions deserves a fair parcel of praise for its own creepy, gothic tales.
Amicus produced no fewer than seven separate anthology horror films between 1965 and 1974, and while Tales from the Crypt and Vault of Horror might be the most popular of these "grab bag" productions, my personal favorite is 1972's Learn more here, which not only features four freaky terror tales, but also a twisted wrap-around story that you simply have to see.
It's pretty insane, but then the movie is about an asylum.
The Hitcher 1985 This one wasn't exactly well-received when it first hit theaters go check outbut has proven to be quite the fan favorite in the intervening decades.
Take out the nihilism and mercilessly brutal violence and you'd have a thriller that Hitchcock could have appreciated: It's little more than a cat Rutger Best movies of all time money and mouse C.
Thomas Howell thriller that takes place on countless desert highways in the middle of nowhere, but it's that nasty edge that keeps the viewer on their toes.
Black Sunday 1960 The first and probably the best horror film from master Mario Bava works as both an homage to the Universal monster classics and an early harbinger of the graphic violence that would eventually become a large part of Italian horror cinema.
Black Sunday follows a resurrected witch as she wreaks all sorts of havoc on the heirs of the people who killer her.
Thanks in large part to some lovely black-and-white cinematography, it's probably the best killer witch flick of all time.
May 2002 Don't feel bad for not supporting this one in theaters.
Lionsgate pretty much dumped and buried this off-kilter little masterpiece and has more or less ignored its existence ever since.
That's too bad because Lucky McKee's modernized, gender-switched take read article the Frankenstein template is nothing short of brilliant.
From Angela Bettis's fractured, fascinating lead performance to the shocking violence and the weirdly, gruesomely bittersweet finale, this is the sort of horror films that young horror buffs will "discover" 15 years from now.
The Devil's Backbone 2001 Most of Guillermo del Toro's films could be described as "horror stories" in one way or another -- the man is a genius at creating monsters who are lonely, misunderstood, and sometimes terrifying -- but for the man's most effective chills, you must seek out this brilliant film about an isolated boys school that's forced to contend with the horrors of war.
It's not as well-known as del Toro's "bigger" films like Pan's Labyrinth, Hellboy, Pacific Rim, and Crimson Peak but it may be his most personal, insightful, and for my money consistently creepy.
Session 9 2001 Lots of horror films have used the abandoned asylum as a setting for their creepy shenanigans, but none have nailed the malevolent nature of these locations like Brad Anderson The Machinist did in Session 9.
It's a simple story about a crew of asbestos removal technicians who find temporary work in a very horrific, haunted, crumbling edifice -- and gradually come to realize that they're not alone.
Only it's not just a standard ghost story.
Near Dark 1987 Long before she delivered Oscar-level movies like The Hurt Locker and Zero Dark Thirty, Kathryn Bigelow directed what turned out to be one of the best vampire movies ever made.
She had a great screenplay by Eric Red The Hitcher ; a trio of actors who worked on Aliens together; and a good deal of sense, style, and attitude.
The result is a darkly amusing, completely engaging, and undeniably creepy tale of a vampire clan that finally comes up against a victim who fights back.
For my money it still holds up as one of the very best horror films of the 1980s.
Peeping Tom 1960 This controversial British shocker helped end the career of the brilliant Michael Powell co-director of Black Narcissus and The Red Shoes and was more or less pilloried upon its release.
But champions like Martin Scorsese turned the film into an undisputed cult classic, as well as a progenitor of voyeuristic horror films like Man Bites Dog, Henry: Portrait of a Serial Killer, and some of the more compelling "found footage" horror flicks of the past few years.
In many ways Peeping Tom feels like an early version of the "unhinged misfit strikes back" premise, yet it also works as a weirdly prescient indictment of mass media culture.
The Birds 1963 The Birds is the great-granddaddy of "nature runs amok" horror films, and Hitchcock's only "true" horror film other than Psycho.
The movie tells the simple story of a seaside town that finds itself under siege by birds of all sorts.
There's no rhyme or reason behind the attack; just a random, shocking, organized assault from a species generally known for minding its own business.
Bonus: The special effects still hold up!
Audition 1999 We've all heard the phrase "hell hath no fury like a woman scorned," but few horror films encapsulate that occasionally true adage like Takashi Miike's effortlessly disturbing tale about a fake producer, a young woman, and the horrible secrets they keep from one another.
This is a textbook example of a "slow burn" horror film, but the tension remains so palpable -- and the payoff so intense -- that Audition still stands as one of this wildly prolific director's very best films.
Videodrome 1983 You could spend one awesomely disconcerting weekend picking through David Cronenberg's early horror films such as Shivers, Rabid, The Brood, and Scanners but this disturbingly prescient sci-fi mind-bender from the early '80s is one of the man's true classics.
James Woods, typecast, plays a sleazebag who stumbles across a horrific TV channel that not only desensitizes its viewers to shocking violence; it actually makes you part of the broadcast.
Dawn of the Dead 1978 How do you follow up one of the most powerful, influential, and socially relevant horror films of all time?
By creating something equally as impressive.
Zombie master George A.
Romero could have taken the easy way out and staged another siege just like the one in Night of the Living Dead, but it's safe to say that he expanded his horizons in a huge way; it's still a siege movie, but this time the tiny cabin is a giant shopping mall.
Oh, and the kills are a whole how to trick an atm to dispense double the money gorier this time around.
The Omen 1976 Horror films about the occult were all the rage in the mid- to late-1970s.
And while Richard Donner's The Omen wasn't the first one to hit theaters, it was one of the most entertaining.
David Seltzer's crafty screenplay doles out dark mysteries and sudden how to trick an atm to dispense double the money at a generous clip, but it's the cast, the score, and that ass-kick of an ending that elevates the story of creepy young Damien beyond most of its devil-related ilk.
Let The Right One In 2008 The timing was perfect for this grimly brilliant Swedish import: vampires were getting more than a little anemic sorry and long in the tooth sorry againbut this fascinating adaptation of John Lindqvist's celebrated novel popped up and reminded us that vampire movies could still draw blood very, very sorry.
It's a simple story of a bullied young boy and an old vampire trapped in a teenager's body -- but it manages to branch off in a variety of unexpected directions.
And best movies of all time money, the American remake Let Me In is pretty solid in its own right.
Poltergeist 1982 When you combine the masterfully light touch of Steven Spielberg and horror auteur Tobe Hooper's confidence, the result can be something very cool indeed.
This early-'80s haunted-house classic still manages to scare the pants off of people today.
Chalk it up to a great cast, a subtly intelligent screenplay, and the inclusion of actual heart, humor, and humanity.
Not to mention at least a half-dozen well-crafted set pieces that still pack a lot of enjoyable jolts.
Re-Animator 1985 Many filmmakers have tried to translate H.
Lovecraft's unique brand of literary horror for the big screen.
Very few have succeeded.
Until Stuart Gordon showed up, that is.
Although all about the money free mp3 download go on to produce several Lovecraft adaptations including From Beyond and DagonMr.
Gordon is best known and rightfully click here for his masterful rendition of "Herbert West: Reanimator.
But death doesn't enjoy being cheated.
The movie is halfhalf blood-splattered comedy, and completely cool.
Ringu 1998 Remember the Japanese horror craze of the 2000s?
Which Hollywood adopted with The Ring and The Grudge?
Hideo Nakata's Ringu remains fresh and cleverly terrifying.
This is the one about the cursed VHS tape that kills anyone who plays it, and while this international horror hit inspired a surprisingly solid American remake, it still stands as one of Japan's most deviously entertaining cinematic exports.
Inside 2007 "French new-wave" horror titles are essential to the genre's legacy.
Inside beats out High Tension and Martyrs in a photo finish.
Part of what makes this ferocious home-invasion thriller so powerful is that our protagonist is a very sensitive and very pregnant woman A shockingly intense cat-and-mouse game keeps the audience squirming.
All you need to know is that an apartment building gets quarantined after a horrific virus starts turning people into ravenous monsters.
Freaks 1932 Tod Browning's controversial revenge thriller is a horror film that could never be made, remade, or even replicated these days without all sorts of people getting really angry.
But the movie earns a place in horror history for employing actual circus "freaks" as its ensemble cast.
It's a brutal, bitter, and cold-hearted piece of genre cinema, and one that any new horror fan should experience at least once.
Pan's Labyrinth 2006 Yes, we needed to include a second film by Guillermo del Toro -- he just gets the genre.
money hack all games the surface, Pan's Labyrinth's about a young girl who escapes to a dark fantasy world after the horrors of war invade her normal one.
Beneath, the film opens itself to a wide array of darkly compelling interpretations.
Plus del Toro's imaginative creatures and lush photography make it so damn beautiful to look at.
The Blair Witch Project 1999 By this point, you either love or hate The Blair Witch Project.
I'm still on team "love," and here's why: A group of clever young filmmakers rolled the dice on a style of filmmaking that very few people had dabbled in, crafted their own freaky mythology, delivered a powerful collection of scares, and became a viral sensation well before anyone used the phrase "viral sensation.
Se7en 1995 Se7en is a very dark detective story, and an underappreciated highlight of the horror genre.
The tone, the attitude, and the visual palette of David Fincher's noir simply screams "horror story" to me.
Before you argue, think about the crime scenes, the eternal rainstorms, and the mercilessly intense third act, and then tell me that Se7en isn't, in some large way, a horror film.
And a really amazing one, too.
Godzilla 1954 Don't let the endless array of slapsticky sequels fool you; the original Japanese version of Godzilla is a dead-sober metaphor for the horrors of warfare in the atomic age -- something that the American version and those aforementioned sequels seems to have overlooked.
Godzilla, a skyscraper-tall monster who breathes atomic rays and stomps over all tmorph mount codes humans, is actually scary in this film.
The Haunting 1963 There's a good reason that this Robert Wise thriller is frequently mentioned among the finest examples of haunted-house cinema: because it is one.
Based on a short story by Shirley Jackson, it's about four poor souls who start digging into a terrible old house, and it may just be the template for every traditional haunted-house movie you've ever seen.
After The Haunting, feel free to check out The Innocents and The House on Haunted Hill.
Regarding the 1999 remake of The Haunting, let us say nothing at all.
A Nightmare on Elm Street 1984 Long before Freddy Krueger became the slasher version of Gallagher, he was presented as one of the most ominous horror villains of all time.
I don't like a whole lot of the sequels OK, Dream Warriors is pretty goodbut there's no denying that the original Nightmare on Elm Street still holds up as a remarkably scary movie.
The late, great Wes Craven knew when a scary story should be light.
Elm Street is mostly the latter -- and that's part of why it works so damn well.
Suspiria 1977 If you're a giallo newbie and you're looking for a starting point into the world of wildly violent Italian horror films, seek out Dario Argento's disconcertingly beautiful Suspiria.
It's about a young lady who arrives at a fancy dance academy, only to realize that people are dropping dead all over the place.
OK, the plot sounds like a standard American slasher flick, but "standard American slasher flicks" stole most of their tricks from the Italians.
And you simply haven't lived until you've savored the aural splendor of a Goblin score.
The Wicker Man 1973 A police officer visits a bizarre, isolated island community while looking for a missing girl, only to slowly realize that there's some super-creepy old-school witchcraft afoot.
The Wicker Man is one of those "slow-burn" horror stories, and yes, the truly goofy Nicolas Cage remake spoiled some of the surprises, but this Christopher Lee-led for dialing all countries codes is a truly disturbing horror classic for those who settle in and pay close attention.
Invasion of the Body Snatchers 1978 Although generally listed in the science-fiction section, Philip Pity, all no deposit casinos was adaptation of the classic Jack Finney story easily qualifies as one of the most effective horror films of the late 20th century.
The 1956 Don Siegel version is a bona fide classic in its own right, but this version tucks all sorts of creepy little details into virtually every scene, all but oozes an uneasy sense of paranoia, and is subtly and consistently distressing, These factors, in addition to a fantastic ensemble cast, earn this remake a spot on this list.
Not to mention that.
An American Werewolf in London 1981 Whereas most "horror comedies" are basically comedies with a clear injection of horror imagery, this John Landis masterpiece combines both genres into a movie that is sincerely funny and legitimately terrifying.
In codes for all skylanders ways it's your standard "man becomes werewolf, kills people, feels awful about it" format.
In others, it's a wonderfully unique and surprising piece of genre cinema.
It simply never gets old.
The Shining 1980 Stephen King may not be a huge fan of Stanley Kubrick's adaptation of The Shining, but movie fans sure do seem to be.
This tale of a family stuck in a snowbound hotel all alone features some of the most terrifying sequences ever, but it's probably Jack Nicholson's gloriously unhinged performance that movie buffs remember the most.
Well, Nicholson and those freaky twin girls.
And that hedge maze.
And that bleeding elevator.
And that woman in the shower.
Rosemary's Baby 1968 This one bored me to tears when I saw it as a kid, and there's a good reason for that: Rosemary's Baby is made for grown-ups.
Not only is Roman Polanski's movie another one of those "drama!
Bride of Frankenstein 1935 Some of the Universal Monster classics feel a bit underwhelming these days sorry, Dracula but such is not the case with James Whale's wonderful one-two punch of ill-fated resurrection, which still holds up as a thing of dark, twisted beauty.
The original Frankenstein is awash in effectively tragic moments, and the sequel seems to take great delight in moments of weird humor.
Some like me, for example would argue that Bride is the superior film, but you certainly need to watch them both to get the best result.
Preferably in the same night.
Evil Dead is a brilliant micro-budget masterpiece about a group of poor saps who awaken a bunch of demons.
The sequel is pretty much the same thing, only with a slightly bigger budget and a dark, twisted sense of humor.
There's no choosing between the two.
Also feel free to finish off the trilogy with 1992's Army of Darkness.
Alien 1979 The Idea of being trapped in a spaceship with a ravenous creature from another planet is terrifying enough.
Ridley Scott's Alien ups the ante by allowing its freakishly unsettling antagonist to change forms throughout the film.
At any given moment, we don't know where the monster is hiding, and we also don't know what it will look like.
Plus the massive spaceship starts to feel a lot like a haunted house that the crew cannot escape, not to mention that there's a robot spy on board -- just to raise the tension a little bit.
There's a lot of scary stuff going on in Alien, and we haven't even touched on the creature's disturbingly sexual assaults.
Jaws 1975 Some argue Jaws is not a horror film.
I say any movie that made millions of people afraid to go swimming qualifies.
It's also a big-time crowd-pleasing adventure movie, but come on.
We're all scared of sharks, and Spielberg's foray into blockbusters really taps into that fear on a gut level.
Roy Scheider, Richard Dreyfuss, and Robert Shaw's pushed-to-the-edge dynamic also makes it a whole lot of fun.
And of course there's John Williams' primally unsettling musical score.
Nosferatu 1922 Although not approved by Bram Stoker's estate which ended up suing and bankrupting the film's production companythis unofficial adaptation of Dracula still holds up as one of the earliest, eeriest examples of vampire cinema.
Much of the credit goes to the memorably creepy-looking Max Schreck, who played the titular creature, but director F.
Murnau deserves high praise for crafting a horror film that's still pretty damn scary after more than nine decades.
The Fly 1986 holds a firm place in horror cinema history, but for my money very few "studio" horror films come close to the deeply upsetting brilliance of Https:// Cronenberg's 1986 remake.
Sure, it's about a guy who swaps a little DNA with a housefly and finds himself transforming into an inhuman best movies of all time money -- but it's also a powerful metaphor for humanity's fear of disease and a tragic love story at the same time.
The Thing 1982 Isolation, alienation, and suspicion are the themes at play in John Carpenter's wonderfully creepy rendition of John Campbell's Who Goes There?
Packed with great performances and even better monster effects, it's about a creature who can replicate any living creature, which spells seriously bad news for the guys manning an isolated weather station in the middle of a frozen wasteland.
Night of the Living Dead 1968 You don't come across too many horror films that create their very own subgenre, but that's pretty much what George A.
Romero's original Night of the Living Dead pulled off.
The word "zombie" was around long before 1968 but that was the film that introduced legions of re-animated corpses who wander around in large groups and devour any living human they can get their hands on.
The original film remains one of the most influential horror movies ever made, and the sequel is pretty much the Casablanca of zombie cinema.
Halloween 1978 John Carpenter set the bar high by naming his slasher Halloween.
Luckily, it's a film that millions of people want to revisit each and every October.
This simple yet aggressively suspenseful tale of a plucky babysitter and jackpots mobile deposit bonus masked murderer has been ripped off and remade more times than one can count, but very few films come close to approaching its devious yet classy style of scariness.
The ambiguity of resident boogeyman Michael Myers is part of what makes the original Halloween so damn creepy, and it's Carpenter's nerve-jangling musical score that amplifies the suspense to almost unbearable levels.
Psycho 1960 Most of Alfred Hitchcock's films could be described as suspenseful, but it wasn't until this 1960 classic that the legendary filmmaker began dabbling in full-bore horror.
Anthony Perkins' amazing performance as "mama's boy" Norman Bates is only one of this brilliant thriller's big assets, and that nasty jolt of an ending still packs a punch even if you already know what's coming.
The Exorcist 1973 The original, unquestionable, undisputed great grandpappy of "possession" horror, and one hell of a brutally good time, William Friedkin's The Exorcist is not just one of the scariest films ever made: it's also one of the most well-constructed horror movies of all time.
The story of demon-inhabited Regan, her distraught mother, and the two priests working their religious mojo to save her life holds up to repeat viewings -- partially because the horrific set pieces still hold up money all games well, and also because the actors create realistic, believable characters who are worthy of our empathy.
The Texas Chain Saw Massacre how to trick an atm to dispense double the money There are lots of scary movies out there, and then there are movies that drop you head-first into an actual nightmare.
Tobe Hooper's The Texas Chain Saw Massacre opens with a gruesome sight, slows down how to trick an atm to dispense double the money a bit for some mildly creepy set-up, then dumps five clueless kids into a cannibalistic nightmare that simply doesn't let up until the final credits.
For my money, it's one of the purest examples of horror cinema.
The movie still creeps me out to this day.
Generally speaking, he really hates ranking films but this one seemed like a fun idea.
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The Best Disney Movies of All Time. Robert Yaniz Jr;. the fact that Disney was able to build such an iconic character and money-making franchise off of a theme park attraction makes the.
The Good Girl is a 2004 short film by Erika Lust that flips the "delivery guy comes over with a pizza" trope seen in many cheesy porn films on its head, thanks to a female lens. Even better, you.
When I was asked to put together a ranked list of the best horror movies of all time, I thought it would be a fun project. And then I collated about 150 titles, tried to whittle that list down.


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Total 26 comments.